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Status
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Date
|
Type
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Venue
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City
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State
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Country
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|
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|
|
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conf
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7/18/2001
|
Concert
|
The Guvernment
|
Toronto
|
ON
|
United States
|
|
conf
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7/20/2001
|
Concert |
Avalon Ballroom |
Boston |
MA |
United States |
|
conf
|
7/21/2001
|
Concert
|
Theatre of the Living Arts |
Philadelphia
|
PA |
United States
|
|
conf
|
7/23/2001
|
Concert |
9:30 Club
|
Washington
|
DC
|
United States
|
|
conf
|
7/26/2001
|
Concert
|
Mercury Lounge
|
New York
|
NY
|
United States
|
|
conf
|
8/03/2001
|
Concert
|
Plan B Complex
|
Portland
|
OR
|
United States
|
|
conf
|
8/05/2001
|
Concert
|
Crocodile Cafe
|
Seattle
|
WA
|
United States
|
|
conf
|
8/09/2001
|
Concert
|
Fillmore
|
San Francisco
|
CA
|
United States
|
|
conf
|
8/10/2001
|
Concert
|
Glass House |
Pomona
|
CA
|
United States
|
|
conf
|
8/11/2001
|
Concert
|
Canes |
San Diego
|
CA
|
United States
|
|
conf
|
8/14/2001
|
Concert
|
Troubadour |
Los Angeles
|
CA
|
United States
|
Emiliana
Torrini 2001 - The Biography
Iceland
- a country rich in contradictions - where volcanoes and glaciers
clash, where the sun illuminates the Midnight sky in summer, or scarcely
shines in winter.
Emiliana Torrini - a 24 year old romantic - is as riddled with contradictions
as her homeland. Half Icelandic and half Italian, her clash of cultures
has made her a melting-pot of diva and dilettante, minx and moralist,
realist and idealist.
'I'm completely contradictory, very schizophrenic,' laughs Emiliana.
'I never know what I want. One minute I need my own space and isolation,
then I crave company and want to party like an animal for two months.
I'm very good at surprising people.'
Surprising people is exactly what Emiliana Torrini has been doing
since her astonishing debut single, Dead Things, was released. A rare
mix of passion and poignancy, it signaled the emergence of a bold
new talent. Her follow-up singles, To Be Free, Baby Blue and Easy,
from her remarkable debut album, Love In the Time of Science, have
further emphasized her artistry.
'Music should be intimidating, scary and beautiful at the same time,'
says Emiliana. 'It should be like falling down, on your bum, and not
knowing if you should laugh or cry.'
With its unusual mix of the cerebral and visceral, the extraordinary
and everyday, Love In The Time of Science, manages to do just that.
It's blissful one moment, bereft the next, playfully combining cinematic
melodrama with moments of whimsy, all filtered through Emiliana's
own unique perspective.
'I am like a filter for everything I've seen and heard,' nods Emiliana
in agreement. 'I like observing people, then making up stories about
them. If I go to a party, or to a restaurant, I'll sit there all night
watching everyone and inventing their life stories.'
'I've always been like that,' she smiles. 'When I was a child I used
to sit for hours making up poems and stories. I still do. I think
my childhood memories and these stories have a lot to do with my music.'
They also have a lot to do with Emiliana's growing popularity - already
60,000 converts cherish a copy of Love In The Time Of Science. Similarly,
her live performances are always captivating and invariably sold-out
affairs. In fact, on her recent European tour hundreds of fans had
to be turned away, every night, from her French and German gigs.
Emiliana's endearing personality has evoked an equally positive response
from the media. Already she's graced countless magazine covers and
is a firm favourite of Dutch, French, German, Italian and Scandinavian
radio, who've play-listed her singles.
She appears unfazed by the increasing attention and adoration. In
fact, Emiliana's taken it all in her stride, as if she's a seasoned
pro rather than a newcomer.
'I think it's because I'm from a country where we're encouraged to
do anything we want. There's an attitude of Ślet's do it,' so we do!'
she explains. 'Perhaps it's because in Iceland there are so many opportunities.
We have so much space, and so much freedom, that we think we can be
more daring. We always think everything is so easy, even if it isn't.
'I love singing and really enjoy performing live,' adds Emiliana.
'If I could, that's all I'd do every night for the rest of my life!
'But it's weird because although I like being onstage, I'm a stupid
blend of a performer and a shy person. I can get up onstage and really
sing - give it everything - but at the same time I'm completely terrified.
That's precisely the reaction Emiliana had when she recently supported
Sting, for four nights, at his sell-out concerts in London's famous
Royal Albert Hall. It's hardly surprising though, because she was
performing before 10,000 people - the largest audience she's ever
played in front of.
'That was really scary, but also really exciting,' she grins. 'I've
always dreamed of playing there - and suddenly I was! It was so amazing.
But I also realised while I was there that I was only there supporting
someone, which isn't enough for me. I won't be happy until I get to
play venues like that by myself!
That's not arrogance, but Emiliana's belief in herself and her music
convictions that made her leave the band she was a member of back
in Iceland.
'I found being in a band too frustrating because I was always having
to compromise,' she admits. 'I didn't like that because I don't want
to do things for the wrong reasons, or because people think I should
do something in a certain way.
'I just want to play the music I want to play and make it the way
I want to make it because what I do is simply about making music,
not being a superstar,' she explains. 'I've always felt that way.'
The result of her strong convictions can be heard to startling affect
on Love In the Time of Science. It's one of the most beguiling debuts
in recent memory and confirms Emiliana Torrini as a gifted songstress,
rather than just another run-of-the mill, female vocalist.
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