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"When I sing," she says, "I try to get people to project their own lives into the lyrics. If they've ever been in love, I want them to feel that emotion when they hear a love song. I don't want them to just remember or recognize a song -- they should play an active part in it. I'm basically trying to sell the lyrics, and sell each listener on the idea that the song could be about them." It's obvious that Brooks has had time to perfect her sales technique. Dubbed the "Queen Of The Boogie" when she began her recording career over 50 years ago, Brooks has been wooing audiences with her voice and piano playing ever since.

With her 80th birthday coming up this year, "Time Was When" marks the latest milestone in a legendary career. In addition to her music, Brooks has appeared in numerous films, including onscreen performances alongside Humphrey Bogart (1950's "In A Lonely Place") and Jack Nicholson (last year's "The Crossing Guard" by director Sean Penn); in the early 1950s she became the first African-American woman to host her own television show; and in 1993 she was awarded the prestigious Pioneer Award by the Smithsonian-based Rhythm and Blues Foundation, acknowledging her groundbreaking work in recording, radio, film, and television.

But Brooks is in no mood to rest on her laurels. Judging by the seasoned confidence of her recent live shows and new album, a new generation of fans will be drawn to Brooks' music in the coming months. "It's very exciting to be recording again -- after all, it's been a few years," she laughs.

Over the years Brooks has tweaked and entertained audiences in lavish theaters, clubs, ballrooms, and amphitheaters throughout the world (on one occasion, she played for a massive audience in London's Wimbledon stadium accompanied only by an accordionist). She particularly enjoys playing stages in Europe and Australia: "They're very intent," she laughs. "I'll be playing in front of 800 people and it's so quiet you can hear a rat walk on cotton. I love it. It's not like I'm putting on a nun's habit and asking people to genuflect -- but it's difficult to reach out to the audience when they're fidgeting and shouting out requests."

For all her diverse travels in the entertainment world, Brooks is truly at home in a musical milieu. Her latest Pointblank album represents a particularly poignant homecoming: with "Time Was When, " Brooks becomes the first person to ever join a label as a new artist 50 years after originally being signed to the same label. The story began in 1945, when impresario Jules Bihari created Modern Records specifically as a home for Brooks' music (Modern went on to become the most famous R&B label of its time -- buoyed by its success with Brooks, Modern launched the careers of B.B. King, Etta James, and Charles Brown). In 1994, after acquiring the Modern catalog, Pointblank/Virgin released That's My Desire, a 25-track CD of Brooks' early gems. Then in 1995 Brooks inked a recording deal as a new artist with Modern Records' current parent label, Pointblank Records, 50 years after her 1945 Modern Records debut.